- Life - Dying while learning, 2025
- Life - Dying without learning, 2025
- Not enough, 2025
- Nothing is enough, 2025
- Burrow I, 2024
- Burrow II, 2024
- Burrow III, 2024
- Burrow IV, 2024
- Entrance I, 2024
- Entrance II, 2024
- Entrance III, 2024
- Entrance IV, 2024
- Fake twins I, 2024
- Fake twins II, 2024
- Fake twins III, 2024
- Fake twins IV, 2024
- I have only umbrella, 2024
- The ground rises from the sea, 2024
- The sky sinks into the sea, 2024
- Waiting for a catastrophe, 2024
- À l’abri du vent, 2023
- Autour de nous I, 2023
- Dans le sens du vent IV, 2023
- Exposition, 2023
- Mon bureau, 2023
- Quiet force II, 2023
- Set fire to the rain I, 2023
- Set fire to the rain II, 2023
- Set fire to the rain III, 2023
- Set fire to the rain IV, 2023
- Set fire to the rain IX, 2023
- Set fire to the rain V, 2023
- Set fire to the rain VI, 2023
- Set fire to the rain VII, 2023
- Set fire to the rain VIII, 2023
- SOS II, 2023
- Uterus, 2023
- We live on ball II, 2023
- Water colors II, 2022
- Water trip, 2022
- Fire dance with you, 2021
- Midori, 2020
- Become water I , 2019
- Étoile filante , 2019
- Locomotion in water IV
Life - Dying while learning, 2025
Shiori Eda is a Japanese artist born in Tokyo in 1983. She graduated from the National University of Fine Arts in Tokyo in 2010, and has won numerous awards including: Kume Award (2005), Ataka Award (2006), Spring Salon Award (2008), Ohashi Award (2008), Taro Amano Award (2010). Shiori Eda was then noticed by the famous Japanese painter Kyosuke TCHINAI.
Highly promoted by the Japanese media, her artworks are now well-known, appreciated, and collected in Japan. The pictorial compositions surf between figurative and surrealism, Shiori Eda presents each of her paintings as a stage of life, usually interpreted by a woman facing time and nature. Particularly referring to the status and mistreatment of women in Japanese society.
Currently Shiori Eda lives and works in France, where she has developed more mature thinking and reveals an indomitable nature, sometimes gentle, sometimes violent, but always prodigious. Her universe plunges us into the depths of the sky and the water through the fine bristles of her brushes.
From her reflections based on the place of a human being confronting the world, Shiori Eda sketches scenes of miniature realities that she reconstructs with the aid of materials and figurines in wax. These dioramas simplify the narrative framework of simulated places and offer it a vision on an intimate scale that concentrates emotions. She paints an illusory world that is more authentic than the real life.