A2Z ART COLLECTION

  • Since 2009, Anthony and Ziwei Li Phuong have been shaping a collection of artworks carefully selected and put together. Supporting...

    An Xiaotong,  谧 . Rivière, 2023, mounted rice paper, linen, copper foil and gold leaf on canvas,  180 x 110 cm.

    Since 2009, Anthony and Ziwei Li Phuong have been shaping a collection of artworks carefully selected and put together. Supporting Asian artists and creating a strong directive line made emerging artists stronger figures in the Contemporary Art scene. This viewing room highlights some important works available for sale and presented by the gallery.

  • Ma Desheng (B. 1952), Untitled, 1984, ink on paper mounted on canvas, 67 x 131 cm.
  • Available to buy

    • LI Donglu, Monument N°2, 2018
      LI Donglu, Monument N°2, 2018
    • Emeric CHANTIER, Vase #5, 2019
      Emeric CHANTIER, Vase #5, 2019
    • Emeric CHANTIER, Vase #8, 2019
      Emeric CHANTIER, Vase #8, 2019
    • MA Desheng, Untitled, 1991
      MA Desheng, Untitled, 1991
    • Lê Thuý, Dân tôi nước tôi (My people, my country), 2022
      Lê Thuý, Dân tôi nước tôi (My people, my country), 2022
    • Soo Young KWAK, Sans titre (La tempête), 2025
      Soo Young KWAK, Sans titre (La tempête), 2025
    • Soo Young KWAK, Sans titre 2 (La tempête), 2025
      Soo Young KWAK, Sans titre 2 (La tempête), 2025
    • BÙI Công Khánh, Throw a roll of iron net in the sky, 2022
      BÙI Công Khánh, Throw a roll of iron net in the sky, 2022
    • BÙI Công Khánh, Sometimes it's good to be blue, 2022
      BÙI Công Khánh, Sometimes it's good to be blue, 2022
    • Sepand Danesh, WAITING FOR GODOT, 2025
      Sepand Danesh, WAITING FOR GODOT, 2025
    • Jono Toh, Harmony, 2025
      Jono Toh, Harmony, 2025
  • Shiori Eda's art allows her to examine the status of women in Japanese society. Water frequently emerges as a central...

    Shiori Eda, Boat III, 2024, oil on canvas, 97 x 162 cm.

    Shiori Eda's art allows her to examine the status of women in Japanese society. Water frequently emerges as a central motif, symbolising femininity in her dreams. Her artistic exploration evolves in a universe that oscillates between figuration and surrealism. 

  • After exploring the influence of advertising images of idealised Chinese women from 1990 to 2005 on the Chinese public, Yang...
    After exploring the influence of advertising images of idealised Chinese women from 1990 to 2005 on the Chinese public, Yang Mian turned his attention to the impact of artistic media and the education of the Chinese public. 
     
    Yang Mian's works have been widely exhibited around the world. In China, his works can be found at the Yan Huang Art Museum in Beijing, the National Art Museum of China, the Songzhuang Art Museum and the Today Art Museum; in Shanghai, at the Z-art Centre; and in Chengdu, at the Contemporary Art Museum and the Blue Roof Museum. 

     

    Yang Mian, CMYK - Bodhisattva vîrâsana añjali-mudrā, 2020,

    acrylic on canvas, 200 x 100 cm.

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